“Making Something Out of Much Ado About Nothing,” Public Humanities 1, ep. 138 (2025).

“Rhodes’s ‘Fair Example:’ Tyranny, Race, and the Orient in The Maid’s Tragedy,” English Literary Renaissance 55, no. 2 (2025), 208-36.

“‘Shun’d of humane fellowships’: Civility and Animality in The Unnaturall Combat,” The Seventeenth Century 39, no. 4 special issue “The Uses and Abuses of Civility” ed. Douglas Clark (2024), 907-22.

“‘On Latmos’s Top:’ Cynthia’s Sexuality in The Maid’s Tragedy,” Notes & Queries 71, no. 1 (2024), 76-80.

“Taking Shakespeare in Stride: Lady Macbeth at the American Repertory Theater,” Shakespeare 20, no. 2 special issue “Shakespeare in Action” ed. Eleanor Rycroft and Maria Shmygol (2024), 281-300.

“Epicene: Female Revenge in the Husband-Taming Comedy,” Shakespeare Studies 51 (2023), 119-24.

“The Sexual Politics of Paratexts: John Day’s Gorboduc,” Review of English Studies 74, no. 314 (2023), 222-36.

“Ralph Ellison’s Macbeth,” Notes & Queries 70, no. 2 (2023), 120-3.

“Looking for Perdita in Ali Smith’s Summer,” Shakespeare Survey 75 (2022), 229-39.

“Illuminated and Unsettled: Literary Forms and Cultural Power, Medieval to Early Modern, a Houghton Library Pop-up Exhibition in Honor of James Simpson,” Harvard Library Bulletin (2022). 

“A Missed Shakespeare-Ariosto Connection,” Notes & Queries 68, no. 1 (2021), 127-9.

 “Resistance and Reconciliation in Roundabout’s ‘Feminist Update’ to Kiss Me, Kate,” Borrowers and Lenders: The Journal of Shakespeare and Appropriation 13 (2021).

“The Winter’s Tale and Revenge Tragedy,” Shakespeare Studies 47 (2019), 233–60.